Monday, 27 January 2025

When was the KFE made?

Aziz Hilal's article Le Coran de 1924, histoire et enjeux politiques is excellent, well researched and important, but I see a problem, that I see with many authors:
he often takes what is said/writ­ten at face value.
E.g. he believes that already in 1912 the govern­ment wanted an new mushaf, that "the committee" started to work long before 1919.
Asma Hilal writes in her intro­duc­tion/"Liminaire" to the journal the opposite, that King Fu'ad initiated the book in 1924
And he takes as a fact that its publica­tion in 1924 had to do with Fu'ad's am­bition to become caliph.
So he has to assume that the project got "for­gotten"(oublié) and later revived (évoqué à nouveau),
As I see it, he overlooks three important points:
that Egypt declared its inde­pen­den­ce from the Ottoman Empire at the end of 1914 (after 300 years),
that the KFE was not a newly deviced written version as the Muḫalla­lati, but that the initi­ators wanted a non-Ottoman ver­sion (in a dif­ferent spelling and not in high-court-nasḫ),
that the main objective of (modernists in the Ministry of Educa­tion like) Hifni Bey was an easily read­able version:
  baseline,
  clear (positional) link between vowel sign and base letter,
  space between words,
  space between lines
I assume that the date of 12/13. January 1919 when the members of the commitee, the proof reader of the press and the Shaikh al-azhar signed is fictious, it is a couple of days before Hifni Bey died.
I assume that al-Ḥusainī al-Ḥaddād wrote the muṣ­ḥaf to be set half a year or so before the book got printed, but that the govern­ment wanted to include the ini­tiator of the pro­ject among the signia­tories, so it had to be dated before his death.

Aziz Hilal is better than his fellows because he puts the emer­gence of the muṣ­ḥaf into a histori­cal con­text
‒ the power struggle between king/the palace, parlia­ment/the bour­geoisie (and azhar/the ʿulemaʾ) and
‒ the caliphal aspirations after the aboli­tion of the Otto­man cali­phate on 3.3.1924,
forgetting Egypt's having left the Ottoman Empire after the start of WWI
His most original discovery is, that the only discussion of the KFE is by a German, by Gotthelf Bergsträßer,
that Egyptian, Turkish, Arab, Indian, Indo­nesian and Persian ʿulemaʾ, politicans and intel­lectu­als ignore it, or ‒ at least ‒ were silent and mute about it.
As important examples he cites
‒ the Diary/Journal by Muḥammad al-Aḥmadī al-Ẓawā­hirī, Šaiḫ al-Azhar 1929‒1935
‒ al-Azhar by ʿUṯmān Tawfīq and ʿAbd al-Ḥamīd Yūnus, 1946
‒ al-Muslimūn wa-l-Aqbāṭ fī iṭār al-ǧamāʿa al-waṭaniyya, by Ṭāriq al-Bišrī, 1981, 899pp.
None mentions the KFE at all.

Ali Akbar and Necmettin Gökkır informed the conference that in the Malay world nobody, in Turkey just some experts took note of the event in Egypt.


Omar Hamdan's article is almost useless.
His conlusion ‒ that the KFE does not closely follow the old mss, but either ad-Dānī/Abu Daʾud or a modern print (maybe the Mu­ḫalla­lātī), was obvious before he started looking at it.
If he had compared the KFE with both the Muqniʿ and the Tanzīl, and with an Indian print, a Maġribī print and the Mu­ḫalla­lātī (plus an Ottoman print) instead of only with mss., the paper would have been useful.
I assume that it would have shown that it follows most closely the Maġrib (indirct­ly Abu Daʾud Sulaimān Ibn Naǧāḥ).


some quotes from Azīz Hial's article:
Muḥammad Abū al-Faḍl al-Ǧīzāwī (1874-1927), en poste entre 1917 et 1927
Signalons que son nom est mystérieu­sement remplacé par « ṣāḥib al-faḍīla, šayḫ ǧāmiʿ al-Azhar ». ‒ In the first small edition there is a seal: Muḥammad ʿAbu'l-faḍl
Dès 1912, le gouvernement égyptien comptait éditer un muṣḥaf qui dépasse en qualité et en précision celui de Riḍ­wān al-Muḫalla­lātī. no source given
La postface à la première édition date du 10 rabīʿ al-ṯānī 1337 (13 janvier 1919)
Pourquoi ne pas se contenter de reprendre le muṣḥaf de Riḍwān al-Muḫallalātī et le corriger ?
si la postface de ce muṣḥaf porte la date du 13 janvier 1919, pourquoi attendre le 10 juillet 1924 pour le publier ?
C’est dans ce contexte que le muṣḥaf, oublié depuis 1919, est à nouveau évoqué, afin de fournir un supplé­ment de légi­timité à la candi­da­ture du roi Fuʿād.

I disagree on most things. For me the date 13.1.1919 is fictious, it two week before Ḥifnī Bey's death. Ii is made to jonour him. And the date in al-Ḥaddāds seal is twi years later! Aziz Hilal assumes that the makes of the govern­ment muṣḥaf took a douzend years, I think, it took the one man who prepared the text (i.e. the written form ‒ the oral form being fixed for centuries) just a few weeks.
A major flaw in the author’s argument is the assumption that the 1924 royal muṣḥaf served—or was intended to serve—as “un instrument au service de la candidature du roi Fuʾād au califat”. The text asserts that “ce geste réhausserait le prestige du roi”, yet simultaneously concedes that the edition “est passée inaperçue” and that contemporary political events “l’ont reléguée au second plan”.
This creates a practical contra­diction. A propagan­distic instrument cannot have a legitimizing effect if no propaganda is actually carried out. There is no evidence that the edition was publicized, invoked, or even mentioned by any of the religious or political actors of the time. No Azhar scholar refers to it, no newspaper discusses it, and no caliphate congress cites it or distributes it. If the muṣḥaf was meant to strengthen Fuʾād’s candidacy, it is striking that none of the proponents of that candidacy ever used it.


The paper by Asma Hilali can be reduced to one sentence:
While in the 19th century, the Flügel edition served many Orien­ta­lists as text of reference,
now the text of the KFE, the Madina Mushaf (Ḥafṣ by the KFCom­plex) and the simplified text of tanzil.net serve as reference.
Here I have to congratulate. Three years ago, in the inviation to (her) conference, she had written
... l’édition du Coran du Caire ... est d’une importance capitale dans la société musul­mane moderne et con­tem­po­raine ... L’édition du Caire met à dis­position des musul­mans ... une version du texte corani­que qui devien­dra pro­gressive­ment la ré­férence reli­gieu­se, litur­gique ... la plus popu­laire dans le monde isla­mi­que. ... la popu­larité du Coran du Caire n’a jamais été remise en cause. ... un événe­ment religieux s’adressant aux musul­mans ... Ainsi, l’avène­ment du Coran du Caire a une portée qui dépasse la sphère de la croyance et qui prend sa place dans l’histoire de la civi­li­sation islamique : histoire des institu­tions, histoire maté­rielle, histoire de la pensée reli­gieuse et des études isla­miques.
All this bla-bla is gone. Al-ḥamdu-llāh

So one can't say that A.H. has learned NOTHING in the four years that she prepared the con­ference and journal nummer.
But although she thanks Alba Fedeli, Antoinette Ferrand and Dennis Halft for commenting and cor­recting her text,
she still gets most things about the KFE wrong,
and she lies: She writes that Ali Akbar had said that the KFE has no singular place, is just one among maṣā­ḥif from Singa­pore, Bombay, Luck­now and Istanbul.
During the conference Ali Akbar had said: There is no trace what so ever of the KFE. Maybe, students in Cairo or Mekka pilmgrims have brought a copy, but we do not know!
There are unbelievable statements by A.H.:
Although the KFE is important, because it is the first type set offset print of the qurʾān,
A.H. writes in the intro­duction of the journal that the KFE was both edited and calli­graphed by ʿAbd al-ʿAzīz al-Rifāʿī,
who had nothing to do with it. It was edited by al-Ḥusainī al-Ḥaddād. It was set with about 300 of the 406 Arabic sorts designed by Muḥammad Ǧaʿfar Bey (m. 1916) ‒ stacked ligatures, and mīm without white in the middle were used in the afterwords, but not in the qurʾānic text because Ḥifnī Bey Nāṣif wanted it to be clear = easily readable.
Is it that A.H. is stupid or is this the con­sequence of the fact that she has never held a copy in her hands, that the IDEO did not acquire one of the many copies on the market?
That she calls putting a number after each verse « versi­fication » (instead of « numéro­tation » ) suggests the former.
She claims that there was a special Ǧamāl ʿAbd al-Nāṣir edition, which I doubt because she does not give the date of publi­cation, and a King Fārūq Edition, which is definetly wrong.

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Sunday, 12 January 2025

A.A.Brockett --- Warš

40 years ago Adrian Alan Brockett submitted his Ph.D. to the Uni­versi­ty of St.Andrews: Studies in Two Trans­missions of the Qurʾān. Now he was a doctor of philosophy but he did not get tenure at a university ‒ for a living he became an argicul­tural advisor in the UAE.
My main thesis ‒ on earth there is not THE Standard printed Qurʾān ‒ was already proven by him:
the "official" text of 1342/1924 is not official.
He showed:
the qurʾān was trans­mitted through the ages both orally and in writing.
the two tansmissions support each other, controll each other.
and: Differences between transmissions are minor.
The sound form (maṣā­ḥif murat­tal) and the graphic form of writ­ten/printed maṣāḥif differ, but there is only ONE qurʾān.

He wrote this before the age of the internet, of Unicode, before ʿUṭmān Ṭāha, and editions of Qālūn from Damas­cus, Dubai, Tripoli und Tunis, before one could listen to fourteen riwayāt on CD and TV.
He collected many editions of Ḥafṣ and Warš from Egypt, Iran and Tunisia, and consulted a few manu­scripts (in Edin­burgh)
At the time, there were no critical editions neither of Zamaḫšarī's Kaššāf nor Sība­waihī's Kitāb. So when a word was given with a different spelling he had to find out, whether it was a typo or a "real" difference.
Neither with type­writers nor on the computer it was easy to write text that had both Latin and Arabic script. Therefore he used a "trans­liter­a­t­ion" of his own making (not as good as the one deviced by Rüdiger Puin later).
Unfortunately he did not know what a trans­li­te­ration is, confused it with tran­scrip­tion.
trans­liter­at­ion renders the letters of the original unam­biguous­ly/ob­jec­tivly, best one-to-one
hence it is revers­able (with­out deep knowledge of the langu­ages)
does not need to be speak­able.
tran­scrip­tion renders the sounds of the original in the target language;
should be pro­nounc­able after a short instruction:
is not revers­able without knowing the langu­ages well,
which is not the case for Brockett's "trans­literation".
I can't read it, I have to rely on chapter and verse.
The tilde sometimes stands for "not in the rasm" some­times for "extra-long".
Some of his terms are just stupid.
At least he defines them before using them.
"graphic" signifies "written in the rasm,"
"vocal" or "oral" for "not in the rasm" ‒
"The term 'vocal form', with respect to the Qur'ān, is used to signify the letter skele­ton fully fleshed out with dia­criti­cal marks, vowels, and so on."
is nonsense:
1. his "vocal" is not the skeleton fully fleshed out"
  but; "only the flesh (= diacritics) without the skeleton"
2. in the Qurʾān there are no consonats, just letters
3. the letter skeleton is not mute (avocal) and dots, strokes and signs are not all and only about sound,
both are written AND spoken, are both graphic and phonetic.
What he wants to say is: some signs are there from the beginnings ,
others were added later: diacri­tical dots (although some dots were there in the earliest mss.), vowel signs (harakat), tašdīd, hamza sign, waṣla sign, signs for , signs for Imala, Išmām, assimi­lation, non-pro­noun­ciation (either always or when no pause is made) of written letters, con­sonats having no vowel ("unmoved" as they say in Arabic), emphasis, hamza eas­ing, hyper‑lengthen­ing.

He makes horrible mistakes, (a) because he has no idea about printing, (b) he believes what good people wrote, (c) he just makes mistakes.
a) about a 1398/1978 South African reprint he writes "The plates were pre­sumably provided by the Tāj Company." (p.28) ignoring that in that period publishers started to scan printed books (either dis­bound or over-opened). When traditio­nally photo­graphed or scanned; shipping lime plates from Karachi to Johan­nis­burg shows that Brocket had no idea of the business.
b) about his Qatari reprint of KFE52 1/8/1402 / 24/5/1982 he writes:
It is the same facsi­mile as the one that was used for the Cairo text printed 7/12/1342 (10/7/1924), and is there­fore in the hand of Šayx al-Maqārī of the time, Muhammad "al-Ḥaddãd" ibn ʿAlī ibn Ḫalaf al-Ḥusayni. ‒ Born 1281/1864-5 (Berg­sträßer 'Koran­lesung', pp.131.) and still apparent­ly alive in the early 1960's That the 1342 Cairo text is in his hand is noted in paren­theses on, p.842 of the 1402 Qatari text and in the Xātima of the 1371 Matba'a Amiriyya copy
How could he believe that this typeset muṣḥaf was handwritten? Just because the ḫātima states وهو الذى كتنه بخطه
In 1978 it was not so easy to find out that al-Ḥusain al-Ḥaddād had died on 22.1.1939, as it was for me. But he should have known that he was succeeded in the office of chief reader of Egypt by ʿAlī Muḥammad aḍ-Ḍabbāʿ.
c) When he writes
The reason for pro­ducing the 1342 Cairo text, given in the colophon, was that Qur'ãn copies for schools had pre­vious­ly mostly been imported. from abroad, and many of these had con­tained errors and so had to be destroyed.
he halluzi­nates. Which collophone is he writing about, the 1342 one, the 1371 one or the 1402 one ‒ none mentions the destruc­tion of imported maṣā­ḥif.
Since his dis­sertation remains the most sub­stantial treat­ment of the subject available in English, and since I intend to make systematic use of it, I begin with the necessary critical remarks.
The major errors are attributable to the nature of the work: it is a doctoral dis­sertation, not a publication. The author was young and in­experienced, and he was not per­mitted to submit the text to others for cor­rection, re­vi­sion, or discus­sion. The pur­pose was not to produce a finished study, but to demon­strate the ability to conduct scholarly research. This he did, as shown by his dating of manuscripts through water­marks, his critical notes on the secondary literature, and the formulation and documen­tation of his own hypo­theses.
It is noteworthy that he regarded the 1924 edition as a reproduction of a manuscript; that he assumed the 1982 Qatari reprint to be a reprint of that edition, although it is in fact a reprint of the 1952 edition, which diverges from the 1924 text in more than 600 places; and that he cites a colo­phon naming Ḥasan Riḍā as scribe, yet identifies “Āyat Barkenār” — unfamiliar to him — as the calligrapher.
His assumption that printing plates were transported from Pakistan to Johannesburg in 1978 in order to reprint a Tāj edition indicates a complete lack of familiarity with printing technology. For this reason, I disregard his numerous remarks on this topic. (If I had access to the editions he consulted, or if I knew the basis of his comments, the situation would be different.)
Fortunately, I possess almost all the editions he mentions, either in bound form or as PDFs. For the editions from Delhi, Bombay, and Calcutta I have at least equivalent copies. I am therefore able to verify most of his statements, and for other points I have additional evidence. In no case do I reach different conclusions.

This blog is mainly about differences between Ḥafṣ-copies. Thanks you Brockett's Ph.D. we are able to study the differences between Ḥafṣ and Warš Ging es bisher hauptsächlich um Ḥafṣ-Ausgaben, wollen wir jetzt noch einen Blick auf andere Les­arten werfen, dabei geht es vor allem um Äußer­lich­keiten. Beginnen wir mit den „inconsequential letters“ (al-ḥurūf al-yasīra): den ganz wenigen Unter­schie­den, die nicht durch šadda, fatḥa, kasra, ḍamma, hamza, madda oder diakritische Punkte ausgedrückt werden, sondern im rasm.

"Ibrāhīm" hat bei Ḥafṣ weder alif noch yāʾ, bei Nāfīʿ jedoch yāʾ – ich sage nicht Warš, weil es in den drei Zeilen nicht den geringsten Unterschied zwischen beiden riwāyāt gibt – für dies hier ein Bei­spiel: Während Qālūn mit hamza zu sprechen ist, ist es bei Warš ge­schwächt. (Schrei­bungen von Uṭmān Ṭaha für den KFK.)

next images:
Während der Vers bei Ḥafṣ mit wa- beginnt, fehlt dies bei Qālūn.
Beide Male hat Ḥafṣ ein alif mehr: erst in der Mitte der Zeile, auf der nächsten Seite in Zeile Zwo (ʾauʾan vs. waʾan). Man beachte das winklige ḍamma, in Uni­code ein an­de­res Zei­chen.
On the internet one finds a great deal of material on the differences between Ḥafṣ and Warš. Much of it is produced with the aim of demonstrating that the Muslim transmission is unreliable; others seek to determine which version represents the “correct” Qurʾān; still others claim that the differences are merely phonetic. The most accurate and methodologically sound presentation and assessment of these differences is that of Adrian A. Brockett. The following are several of the differences he identifies.
Ḥafṣ                 Warš           Stelle
-kum, -hum, -him,     -kumu, -humu, -himu,
-tum, -tumu bzw. -kumū    xxx …
Ḥafṣ                 Warš             Stelle
yaḥsabuhumu yaḥsibuhuma 2:273
taḥsabanna taḥsibanna 3:169
أَتُحَـٰٓجُّوٓنِّي أَتُحَـٰٓجُّونِي 6:80
سَوَآءٌ عَلَيۡهِمۡ ءَأَنذَرۡتَهُمۡ سَوَآءٌ عَلَيۡهِمُۥ ءَآنذَرۡتَهُم 2:6
أَتُمِدُّونَنِ أَتُمِدُّونَنِۦ 27:36
قُلۡ ءَأَنتُمۡ أَعۡلَمُ ڧُل̱ۡ آنتُمۡۥۤ أَعۡلَمُ 2:140
وَإِنِّيٓ أُعِيذُهَا وَإِنِّيَ أُعِيذُهَا 3:36
هَـٰٓأَنتُمۡ هَآنتُمُۥۤ 3:119
إِنِّيٓ أَعۡلَمُ إِنِّيَ أَعۡلَمُ 2:30
هَـٰٓؤُلَآءِ إِن هَـٰٓؤُلَآءِ ؈ں 2:31
5:3 faman iḍṭurra faman uḍṭurra
أَوۡ إِثۡمًۭا أَواِثۡمًۭا 2:182
أَوِ ٱخۡرُجُواْ أَوِ ﰩخۡرُجُواْ 4:66
قَرِيبٌ‌ أُجِيبُ ڧَرِيبٌ‌ اجِيبُ 2:186
6:10 ..qad istuhziʾa ..qad ustuhziʾa
بِئۡسَمَا يَأۡمُرُكُم بِيسَمَا يَامُرُكُم 2:93
نَبِيًّۭا نَبِيـًۭٔا 3:39
وَٱلصَّـٰبِـِٔينَ وَالصَّـٰبِـيںَ 2:62
ٱلنَّبِيَّ ؇لنَّبِيٓءَ 7:157
تُسۡـَٔلُ تَسۡـَٔلۡ 2:119
أَؤُنَبِّئُكُم اَو۟ ۬ نَبِّئُكُم 3:15
تُسَوَّىٰ تَسَّوّٜىٰ 4:42
Warš-Drucke erscheinen 1879 und 1891 als groß­formatige, drei­farbige Steindrucke in Fez; in den 1890ger gibt es jährlich kleinere Drucke in schwarz-weiß. Um 1900 erscheint der erste in Algerien.
The first muṣḥaf printed in Morocco was printed in 1296/1879 in Faz. It has 19 lines on a page, and uses black, red and blue

no changes

The next one has 25 lines per page:
one from 1313/1895/6 1331/1911/2 ar-Rūdūsī bn Murād at-Turkī from the island of Rhodes living in Algiers prints a muṣ­ḥaf with 14 lines in his maṭbCat aṯ-ṯaCA­libiyya
The edition of 1350/1931 can be downloaded in the net at several sides.
Instead of the counting "Madina 2" "Kufa" is used
((these days, other publisher both in Damascus and in Algiers use the Kufī numbering – on the right the Tijani print:
Qurʾān Maǧīd, Alger: Maṭbaʿa aṯ-Ṯa­ʿā­li­bīya 1356/1937 mit farbigem ʿanwān
another one from the web site of the Foundation du Roi Abelaziz in Casablanca:
first pages and last of a muṣḥaf in two volumes, 19 lines per page
In der period between the "World Wars" several publishers published Warš maṣāḥif. Here some by Muṣṭafā al-Bābī al-Ḥalabī.
1929 in Egypt, where it was printed ‒ dedicated to Sulṭan Muḥmmad [V.] bn Yūsuf
This Cairo Warš Edition, Cairo 1929 Edition, al-Ḥabbābī edition, Zwīten edition is the first Moroccan edition with numbers after each verse, and ‒ a revolution of sorts ‒ Kufī numbers;
so ʿAlī Muḥammad aḍ-Ḍabbāʿ (1304/1886-1380/1960) writes four pages on the differences between (second) Madani and Kufi mumbering (pages 8-11):
the cover of the first edition
the first three pages:
instead of a title page:
(this is from the copy of the Academy of Sciences in Lissa­bon that is not paginated in quarters, but in halves; its index and the duʿāʾ are set in normal Arabic letters, while hand­written in the original.)
the ʿanwān of the first edition
they are no paginated.
So as often, THE Zwīten does not exist, the original one is divided into four parts, and has before the quranic text faḍl al-qurʾān and ādāb at-tilāwa; all is hand­written, the last four pages in eastern nasḫ pointed like in the east (no dots on final nūn, fā' and qāf, fā'-dot below, single qāf-dot above; maġrib. kāf, but ṣād/ḍād with the tooth/nabra), all other parts in maġribi mas­būṭ, while the Lissa­bon copy (in halves) lacks most addi­tions.
The next pages are the end of the 29th ǧuzʾ and the start of the 30th.
Normal pages have 15 lines
last page of first half
With a book seller I found a last quarter printed in 1990.
Another Cairo edition of Warš is by the famous publisher MuḥammadʿAbdarRaḥmān Muḥammad often called the "Unified Maġribī edition" / muṣḥaf bil-ḫaṭṭ al-maġribī al-muwaḥḥad
In Algeria Sufi fraternities had editions of their own:
Šaḏilī
Tiǧanīya
printed on salmon paper, printed at the expense of Tijani al-Muhammadi, owner of the al-Manar Press and Library, who was also responsible for calligraphy and decoration Tunisia 1365/1945/6

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a bombshell

Morteza Karimi-Nia has published a book Codex Mashhad , and a web site . Most interest­ing: Sura order like Codex Masʿud Orthography The o...