Showing posts with label al-Maghrib. Show all posts
Showing posts with label al-Maghrib. Show all posts
Tuesday, 23 April 2024
minute things in Maghribian maṣāḥif
I wanted to post about signs used in Maghrebian maṣāḥif resp. in Medina maṣāḥif of readings used in the Maġrib (Warš and Qālūn). I decided instead to provide links to two proposals that contain the material:
one by Professor Azzeddine Lazrek: Proposal to encode some Hamza Quranic marks and one by Roozbeh Pournader and Deborah Anderson: Arabic additions for Quranic orthographies
... and a third one by Khaled Hosny and Mostafa Jbire on thin nūn
Often I disagree often with the Unicode solution (encoding the same character twice with
different shapes, encoding combined letters instead of combining marks),
but the basic facts in these proposals
are informative (esp. the images). That Lazrek's English is approximative does not matter.
Pournader does not give verse and number (sura and aya) of his examples ‒ here it is XI:41 (Hūd)
and that he gives his maṣāḥif approximative names,
e.g. he calls the Muṣḥaf
al-Muʿalim (المصحف المعلم)
by the editor Nous-Mêmes/Hambal (هنبعل)
the "Tunis Qaloon" although there are at least ten Tunis Qaloons on the market.
the best established the Muṣḥaf al-Jumhuriyya (edited during the reign of Ben ʿAlī),
which one can find on the net (without page numbers, because one gets two pdf-pages
for one book-page or a short sura).:
What archive.org calls "Muṣḥaf al-Jumhuriyya al-Tunisī" really is the edition by Nous-mêmes.
Pournader's "Tripoli Qaloon" is equally wrong. as Muṣḥaf al-Jamahariya
/مصحف الجماهيرية
from هـ1399/
1989
is one of at least three Tripoli Q. You can download it from archive.org or here.
‒
25:49 ࣋ لنحيۦ لنحي
Saturday, 26 September 2020
Morocco before 1924
Bergsträßer saw the similarities between Warš editions and the Gizeh print.
Because he did not question al-Ḥusainī al-Ḥaddād's assertion that "his" edition was a reconstruction based on the oral text and the literature about How to Write a Muṣḥaf, he assumed an immediate influence from Gizeh/Cairo to Fèz/Alger.
For me it was clear that it was the other way around.
But I had no proof.
I did not have an early print from the Maġrib (nor a Warš edition from Cairo from before 1920).
Finally, I can proof it. I have images from Faz prints from 1879,'81,'91, '92,'93,'94, '95,'99, 1900 and 1905.
The two oldes are in big format and still have red dots for hamza:
On the left the (presumably) first print by Ḥaǧǧ aṭ-Ṭaiyib al-Azraq 1879,
on the right the same text from Alger 1350/ 1931 (Maṭbaʿa aṯ-Ṯāʿlibiyya of Rūdūsī Quddūr ben Murād at-Turkī, likely ʿAbdal Qādir from Rhodes)
one from 1881: Later they are without colour and smaller:
Because he did not question al-Ḥusainī al-Ḥaddād's assertion that "his" edition was a reconstruction based on the oral text and the literature about How to Write a Muṣḥaf, he assumed an immediate influence from Gizeh/Cairo to Fèz/Alger.
For me it was clear that it was the other way around.
But I had no proof.
I did not have an early print from the Maġrib (nor a Warš edition from Cairo from before 1920).
Finally, I can proof it. I have images from Faz prints from 1879,'81,'91, '92,'93,'94, '95,'99, 1900 and 1905.
The two oldes are in big format and still have red dots for hamza:
On the left the (presumably) first print by Ḥaǧǧ aṭ-Ṭaiyib al-Azraq 1879,
on the right the same text from Alger 1350/ 1931 (Maṭbaʿa aṯ-Ṯāʿlibiyya of Rūdūsī Quddūr ben Murād at-Turkī, likely ʿAbdal Qādir from Rhodes)
one from 1881: Later they are without colour and smaller:
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