In 1938 the 1342 Giza
muṣḥaf was reset in Hyderabad:
the same text in lines as long as in Būlāq but slightly higher
although
kasras and
kasratain are not as steep as in the original.
While in Giza
kasras are integrated into the descender of the main (letter) line,
in Hyderabad they are ‒ like the pause-sign-top-line, the
Ḍamma-Fatḥa-Šadda-Ǧazm-line ‒
in a line of their own below the letters.
This is normal in type set/type printed
maṣāḥif
In 1906 the Amīrīya get new types: Ǧaʿfar Bey left the design almost unchanged, he reduced the ligatures by more than 150, and had the lower bodies of sorts undercut to allow tight kerning.
The Monotype clones used in Hyderabad were not as sophisticated, here see a a top line for pause sign, a line for
fatḥa, ḍamma, šadda, the main line for the letters and the
kasra-line, while
kasra, kasratain, kasra-with-small-mīm are integrated in Būlāq (i.e. next to a descender, close to the letters, even
in the bowl of ح ج خ ع غ )
‒
